MICHELLE DIZON is an artist, filmmaker, and writer born and raised in Los Angeles as part of the Philippine diaspora. Her video installations, films, and writing work at the intersection of subjectivity and political history with a focus on questions of neocolonialism, immigration, diaspora, and globalization. Currently, she is at work on a feature-film and large-scale installation entitled Perpetual Peace that addresses US imperialism, militarization, globalization, and war in the Philippines. She is also revising a book entitled Vision in Ruins that explores visuality and the globalized present. She has exhibited and lectured internationally at venues such as the Center for Feminist Studies in Zagreb, Croatia; Jeu de Paume in Paris, France; Caixaforum in Barcelona, Spain; Casa Asia in Madrid, Spain; Copenhagen International Documentary Film Festival in Copenhagen, Denmark; Metropolitan Museum of Art in Manila, Philippines; Vargas Museum in Manila, Philippines; Para/Site Art Space in Hong Kong, China; Galleryloop in Seoul, Korea; Tate Modern in London, England; Human Rights Center in Berkeley, United States; CUE Art Foundation in New York, United States; Vox Populi in Philadelphia, United States; and Redcat Gallery in Los Angeles, United States. She has received fellowships from the Human Rights Center, the Los Angeles Department of Cultural Affairs, the University of California Initiative for Research in the Arts, and the Fulbright Association.
In addition to being the Co-Chair of the Visual Art Program at VCFA, she is also Visiting Faculty in the Photography and Media Program at the California Institute of the Arts. She earned an MFA in Art with emphasis in Interdisciplinary Studio from the University of California, Los Angeles, and a Ph.D. in Rhetoric with designated emphases in Film and Women, Gender, and Sexuality from the University of California, Berkeley. She lives and works between Los Angeles, California and Davao City, Mindanao.